Mary Weatherford Mural Installation Set for September 2014

CMC will present an original, neon painting by the Gould Center and Podlich Distinguished Visiting Fellow

 

A Weatherford painting with neon

A Weatherford painting with neon

Mary Weatherford has a remarkable ability to overlap deep, sultry colors in abstract paintings that radiate light, energy and movement. Critics praise the acclaimed artist for her achievements in layering vinyl-based acrylic paint known as Flashe, and for her distinctive use of deliberately draped neon lighting tubes that further electrify her symphonic, colored landscapes.

In September, Weatherford’s resonant palette will find an eager home at Claremont McKenna College, with the installation of a Weatherford neon mural in the Marian Miner Cook Athenaeum. Measuring 117 inches high x 234 inches wide, and painted specifically for the College, its installation is being celebrated with a series of special events on Tuesday, Sept. 16, including at 6:45 p.m., a conversation between Weatherford and Robert Faggen, the Barton Evans and H. Andrea Neves Professor of Literature at Claremont McKenna College and director of the Gould Center for Humanistic Studies.

“Mary Weatherford’s neon paintings follow a tradition of sublimity that can be found in Turner, and later in the saturnine Color Field paintings of Morris Louis,” says Faggen. “Her transcendent work is, remarkably, deeply related to place. The college is honored to have such a stunning work installed in the cynosure of its campus.”

Faggen’s Sept. 16 conversation with Weatherford is free and open to the public, with seating on a first-come basis, and will take place in the Athenaeum’s Security Pacific Dining Room.

The installation will provide the campus community with a rare, thrilling opportunity to meet the Weatherford during her residency; it is the culmination of the artist’s time at the college.

The Ojai-born artist has a studio in Los Angeles, which Claremont McKenna students toured last April during a five-part seminar on contemporary painting she taught at the College on behalf of the Gould Center for Humanistic Studies, as a Gould/Podlich Distinguished Fellow. In the same month she was back and forth to campus, Weatherford’s exhibition Los Angeles opened at David Kordansky Gallery, to high praise, especially from Los Angeles Times art critic Christopher Knight. The neon paintings were inspired by the places she’s lived, charting the physical and metaphysical features of landscape.

“Her work has been developing rapidly in the last several years, building complex momentum and self-assurance,” Knight wrote in the Los Angeles Times on May 1. “These new paintings are the finest I’ve seen.” Calling her incorporation of neon light tubes “audacious,” Knight was charmed by their effect: “None of Weatherford’s linear glass tubes are straight; instead, their slight ripples, meanderings or irregular curves emphasize the light’s tactile, handmade qualities,” he said.

In fall 2015, the Gould Center for Humanistic Studies will publish the first major book on Weatherford’s work, documenting her recent neon paintings and giving an overview of her 25-year career.

Mary Weatherford (b. 1963) has been the subject of solo exhibitions at LAXART, Los Angeles; Todd Madigan Gallery, California State University, Bakersfield, Calif.; Orange County Museum of Art, Newport Beach, Calif.; and P.S. 1 Institute of Contemporary Art, New York. Group exhibitions include The Forever Now: Contemporary Painting in an Atemporal World, Museum of Modern Art, New York (opening December 2014); Variations: Conversations in and around Abstract Painting, LACMA (opening August 2014); Landscape into Abstraction, Orange County Museum of Art, Newport Beach, Calif.; Sharing Sunsets, Museum of Contemporary Art, Tucson, Ariz.; Primarily Paint, Museum of Contemporary Art, San Diego; Cadavre Exquis, The Drawing Center, New York; Postcards from Alphaville: Jean Luc Godard in Contemporary Art, 1963 – 1992, P.S. 1 Institute of Contemporary Art, New York; Painting Culture, fiction/nonfiction, New York and Fine Arts Gallery, University of California at Irvine; and Plastic Fantastic Lover (object a), BlumHelman Warehouse, New York.

For more information on Weatherford’s installation and residency this fall, please contact Gould Center Director Robert Faggen, the Barton Evans and H. Andrea Neves Professor of Literature: rfaggen@cmc.edu, 909-607-3005.